Mamiya 6 vs 7 manual#
Mamiya 6 vs 7 series#

The second big difference is that the Mamiya 7 does not collapse. The Fuji G690 and GM670 come close as well, but are considerably heavier and weigh more due to their metal bodies. The Plaubel Makina 67 comes close, but doesnвЂ™t offer interchangeable lenses. It has no match when it comes to weight and size in the 6Г—7 space. The Mamiya 7 still tops the charts of smallest 120 cameras ever, despite not collapsing. The slightly larger negative makes a big difference for cropping and lens focal length, although it prevents the camera from being collapsible like the 6. The Mamiya 7 shoots 6Г—7 instead of its predecessorвЂ™s 6Г—6. The first major difference is the format. There are a few more significant changes, though. It has the same plasticky exterior, although it was available in black and champagne. The Mamiya 7 is, externally at least, almost identical to the 6. Other than that, the 6 MF is the same camera as the 6. ItвЂ™s possible to achieve the same results by cropping, limiting the usefulness of these adapters. Unfortunately, the 6Г—4.5 adapter does not change the advance gearing, so it essentially crops the edges off of the frames to achieve the 6Г—4.5 format.

Mamiya 6 vs 7 series#

This is identical to the Mamiya 6, but with support for a series of adapters allowing for multiple film formats. Mamiya 6 MFДЄ few years after the release of the original, Mamiya released the 6 MF. It is lighter and smaller than almost any other camera on the market, even ones that shoot the smaller 6Г—4.5 format. To summarize, the Mamiya 6 is an ideal camera for lightweight 120 photography.

Mamiya 6 vs 7 manual#

The meter only reads in full stops in manual mode, which may limit its usefulness. The wide lens will not be metering the entire scene, and the tele lens will be metering outside of the image youвЂ™re trying to capture. The meter is based around the standard lens, so using the wide or tele lens may result in some exposure issues. The light meter will take an average reading of the scene and calculate from there. Simply select the aperture you want and fire away. The Mamiya 6 comes with a built-in light meter as well as aperture priority auto-exposure. TheyвЂ™re sharp corner to corner and are able to be smaller due to the collapsing rangefinder design. These lenses are regarded as some of the best ever made. It also means flashes can sync at any speed, including 1/500th. These leaf shutters are electronically-controlled, further lessening any chance of camera shake. ItвЂ™s clear why the Mamiya is an appealing medium format option.ДЄdditionally, the MamiyaвЂ™s lenses all have built-in leaf shutters that fire up to 1/500th of a second. Compare that to a Pentax 67 with AE prism and no lens, which weighs 1880 grams. With the 75mm lens, the camera weighs in at 1150 grams. It is already one of the most compact 120 cameras ever made, and one of the lightest as well. With this technology, the 6 is able to be even more compact than it was before. The difference, however, is that the Mamiya 6вЂ™s collapsing mechanism is inside the body rather than the lens. Instead of a folding design like the older Mamiya Six cameras or the newer Fujifilm GF670, the Mamiya 6 goes for a collapsible design similar in concept to the old collapsible lenses found on Leica rangefinders. More importantly, all three lenses are capable of collapsing into the body. All three lenses are rangefinder coupled, and bring up appropriate framelines in the viewfinder when attached. ThatвЂ™s around a 28mm, 43mm, and 85mm equivalent. Mamiya introduced the 6 alongside its entire lens lineup, which consists of a 50mm f4, a 75mm f3.5, and a 150mm f4.5. The Mamiya 6 sold for around $1,400 US when it was new, which is the equivalent of around 3,000 Euro. The medium format space, however, was a bit more hesitant to utilize plastic so intensively. By 1989, 35mm SLRs like the Minolta Dynax 7000 and Canon EOS 1 had made plastic bodies possible and mainstream. The 6 was a space age camera in the medium format space. The 6 should not be confused with the line of folding 6Г—6 cameras produced by Mamiya throughout the 1940s and 50s. The Mamiya 6 is an interchangeable lens collapsing rangefinder system introduced in 1989.